Back from the beyond

Month: September 2001 (Page 7 of 7)

Post – September 5, 2001

After the movie, The Final Chapter:

I went to see “Edward Scissorhands” with a colleague from the paper in Michigan. We came out of the theater, and I was enthralled. What an amazing fairy tale Tim Burton had told. If you’ve seen the movie, you know that at the end, Edward is carving giant ice sculptures, and the ice shavings are falling upon the town below as snow. Wonderful image.

So I come out of the theater with a big smile on my face. My friend turns to me and says, “So where did he get those big blocks of ice? How did he pay for them? Did someone deliver them?”

My jaw hit the ground. “Well, let me ask you this,” I said, incredulous. “How did he get scissors for hands? What movie were you watching?”

Post – September 5, 2001

After the movie, Part IV:

I sat through “The Piano” reluctantly, squirming throughout the whole pseudo-feminist crapfest. When Holly Hunter threw her mute self into the sea, I groaned, hoping she would remain there – but, sadly, she survived. (And I love Holly Hunter in just about everything else.) My friends Kristin and Paul could obviously tell how much I hated the movie by my reactions during it, but that didn’t stop Kristin from asking me brightly what I thought, as we waded through a crowd waiting for the next show. I exploded with rage against the whole experience, which was clearly not appropriate behavior. But I think Haidi can back me up on my understandable reaction.

Post – September 5, 2001

I don’t much like Bill Maher of Politically Incorrect; I think he’s a blowhard who eclipses his guests’ attempts at conversation, rather than facilitates them. But he does have the courage of his convictions, which I admire. And he made a good point on last night’s show: the public are a lot more interested in finding out details of Gary Condit’s affair with Chandra Levy than they are with finding out what happened to her. Another in the unending series of examples of how Americans need to re-examine their priorities, if you ask me.

Post – September 4, 2001

Watched “Pleasantville” on DVD tonight. I liked it better this time, but it’s still pretty obvious and heavy-handed. The message is a good one, though, and the black-and-white photography is creamy and gorgeous. It makes me want to see more current movies filmed in B&W.

Post – September 4, 2001

I’m not making this up, Part II

Apparently everyone’s favorite reformed non-lesbian, Anne Heche, will reveal to Barbara Walters tomorrow night that up until a year ago, she had an alternate personality named Celestia, who spoke directly with God. Oh my sweet lord. Her relationship with Ellen Degeneres, she says, was her way of working out the pain caused by the abuse she suffered at the hands of her closeted gay father.

Words fail me.

Post – September 4, 2001

Can you believe I’m going to link to one of my own sites for the second time? I can’t believe it either. But I’m really pleased at how Mike’s photography site turned out, and I hope you will be too. Who knows? Maybe I’ll get a freelance job or two out of it. And if you’re in Madison on September 15 (opening night) or October 5 (Gallery Night), stop by Radical Rye on State Street and tell Mike that Adam sent you.

Post – September 4, 2001

So Suey tells me that in England, pants are not pants – that’s what they call underwear. So underwear is pants, and pants are trousers, I guess. Follow me? Which casts a funny light on the Dockers “Nice pants” campaign, where men in various public situations are ogled below the waist by women who exclaim, you guessed it, “Nice pants.” I have always loved regional U.S. terms for things (sofa, couch, davenport), and now I’m equally fascinated by English-American differences. As the saying goes, we’re two countries separated by a common language.

“Basil, you have a kipper sticking out of your jumper.” -Sybil Fawlty

Post – September 3, 2001

I am not making this up. Jason Alexander’s upcoming sitcom, “Bob Patterson,” already nothing more than a bald-faced attempt to cash in on what’s left of the George Costanza concept, co-stars a woman playing Patterson’s black, disabled, klutzy secretary. Yes, you heard me right. If it weren’t for King of Queens, I would say it’s time to take the sitcom out back and put it out of all our miseries.

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