Thoughts on Oscar
-I was so glad Pedro Almodovar won for his “Talk to Her” screenplay. It was challenging, subtle, ambiguous, adult – four things in short supply in Hollywood these days.
-“Chicago” is the perfect Academy movie. If there is a lab where middling, inoffensive, flashy pap is genetically engineered to appeal directly to Academy voters, this movie was its crowning achievement. Not bad, not good, just there.
-Catherine Zeta-Jones was lucky as hell to be in it.
-“Spirited Away” was another pleasant surprise. It took animation to places that Americans don’t normally experience. And, it gave Suzanne Pleshette some voice work.
-Michael Moore is Michael Moore. I think he should have handled himself with more subtlety, but that’s just not who he is. And I love him for it, especially in these “you’re either for us or against us” times.
-The opposite end of that spectrum was the now-apparently-infamous Susan Sarandon, who just held up two fingers in a peace sign as she walked out. Cool.
-“Punch-Drunk Love” was so far and away the best movie of last year, it’s not even funny. Which explains why you didn’t hear it mentioned tonight.
-In a sort of Halle-Berry-ish situation, I think Adam Sandler should have gotten a Best Actor nomination for the above. It was a time and a place and a role, and he was brillant.
-Steve Martin was generally good. I especially liked the Meryl Streep eBay joke – “Don’t you have enough!?”
-Every year they seem to pare it down more, and it’s still three and a half hours long. One thing they could definitely cut – getting all the Oscar winners onstage and laboriously panning through them. Cut this, please.
-Renee Zellweger: eat a hamburger, please, sweetheart. I love you, but you. need. to. eat. If some more tough love is required, I have just two words for you: Callista Flockhart. ‘Nuff said.