Kill Bill, Vol. 1
Quentin Tarantino’s movies have always been about style over substance. I think “Pulp Fiction” is brilliant, but it’s a sugar rush, not a character study.
And if “Pulp Fiction” is like eating a package of Twinkies, “Kill Bill” is like pouring 40 Pixie Stix straight down your throat. It’s gorgeous, the music is fun, the action is non-stop, Uma Thurman kicks serious ass – but it doesn’t leave a lot behind. You stumble out of the theater with a smile on your face, but a little unsure how it got there.
That’s not to say I’m not looking forward to Vol. 2. I am. I love elephant ears at the county fair; that doesn’t mean I want to eat them every day.
Related story…
Every year around this time, I get a terrible craving for candy corn. I run into Shopko or wherever, my hands practically shaking with anticipation, and leave with the prize. Then I open the bag and greedily eat a couple handfuls.
Immediately, I feel queasy and can’t even *look* at candy corn, until the next year when it happens again.
Award “Kill Bill” should win at the next Oscars:
Best Use of “Kaboom” Cereal in a Motion Picture